Mostrando entradas con la etiqueta poesía. Mostrar todas las entradas
Mostrando entradas con la etiqueta poesía. Mostrar todas las entradas

jueves, 5 de mayo de 2011

Cosas Viejunas. O... Felicidad Encubierta. Pero shhh!!! ;)

(Ahora no echo de menos, el cielo ya no está gris -aunque sea de noche-, y vuelvo a reír... Pero aún así me gusta este poema. Buenas noches a todo el mundo! Sed felices :D)

Hoy, las gotas de lluvia se lanzan al vacío por ti.
Pero no, hoy no encuentro belleza en lo trágico.
Hoy el cielo llora por nosotros, 
nos conoce, él sabe como somos... 
Por eso hoy, está gris y melancólico.
Este cielo que nos ha visto nacer, y nos verá morir, 
ya no quiere más verme sufrir.
Las nubes están hoy tristes en mi lugar,
en tu honor, yo levanto mi copa.
Ahogo mi pena en algo alcohólico. Etílico.
No se queda atrás lo prohibido, lo ilegal,
lo amoral. Hoy ya, todo me da igual... 
Solo quiero olvidar. 
Superar lo que me atormenta desde entonces,
volver a respirar.
Que mi corazón vuelva a latir al son de música feliz,
que mi alma despierte, y que vuelva a reír.
Reír de verdad... Lo echo tanto de menos como a ti.

Licencia Creative Commons
Este obra de Sara Peralta Feltrer está bajo una licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported.

martes, 5 de abril de 2011

Le Bonheur

Buhardillas Parisinas,
y terrazas soleadas,
en las que perderme
y encontrarme contigo.

Laberintos de espejos
en que se reflejan tus ojos..
Y tus besos.

No quiero ya nada más.




Licencia Creative Commons
Este obra de Sara Peralta Feltrer está bajo una licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported.

martes, 15 de marzo de 2011

reservado el derecho de admisión

En la soledad de la noche 
te extraño y te recuerdo.
Y en cada vigilia, 
sueño que te pierdo.

Cuando despertar no soluciona lo soñado,
porque la realidad no está de tu lado,
Chilla y grita,
maldice a la diosa afrodita.

Yo maldigo mi lágrima floja 
y mis fuertes sentimientos.
El maldecir en sí, 
y todos mis otros tormentos.

No te ofendas ni enfades, 
esto no es un reproche,
Simplemente como me siento, 
y tansolo ves un fragmento.

No acepto lo implícito,
lo inamovible, el impedimento,
-vale ya de tanto detrimento-
ésta máquina (mi corazón) solo coge aliento,
y amor. Como un corazón de princesa de cuento.

Esta máquina se ha quedado sin cambio,
y no admite el sufrimiento,
rogamos, disculpe las molestias, 
aquí si que se permite fumar,pero si viene a joder... Joda el local del lado.

Licencia Creative Commons
Este obra de Sara Peralta Feltrer está bajo una licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported.

domingo, 2 de enero de 2011

Aaaaaaaaaaaaaaaaah!!! (grito de fan)

¡Por fin tengo mi ejemplar!
Muchas gracias Luna!!! Me encanta la dedicatoria <3



 


"Qué mejor 
que el placer
de una felación
de alguien
que no soy yo
a otro alguien
que no soy yo
para confirmar
mi existencia."
<3
"Y no decir te quiero porque eso ya lo he leído
en mis autores favoritos."

Luna Miguel ha publicado Poetry is not dead, libro que orgullosamente sostengo en esta foto, además de Estar enfermo, y Exumación (junto a su amor, A. J. Rodríguez). A su corta edad (20) es poeta, escritora, estudiante de periodismo, escribe para el periódico Público, y lleva un blog que es todo amor. Pero lo que más me gusta de ella; Que es mi amiga, y que es genial.
Ámote! ;D 

miércoles, 1 de diciembre de 2010

"I am half sick of shadows"



 And so was The Lady of Shalott.

 Ayer, el profesor de Poesía  hizo un análisis y una interpretación del poema de Tenysson, que choca bastante con mi visión de éste.
¿Qué hacer en estos casos? Cualquier cosa menos analizar ese poema mientras él sea tu profesor... Por si las moscas. Y porque no quiero que vuelvan a suspenderme por mis opiniones personales.

Aquí os dejo el susodicho.
No puedo ser la única a quien esto le huela a Platón, la caverna y su mito.
___

On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver,
Little breezes dusk and shiver
Through the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four grey walls, and four grey towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
By the margin, willow veil'd,
Slide the heavy barges trail'd
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?
Only reapers, reaping early,
In among the bearded barley
Hear a song that echoes cheerly
From the river winding clearly;
Down to tower'd Camelot;
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers, " 'Tis the fairy
Lady of Shalott."
There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.
And moving through a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot;
There the river eddy whirls,
And there the surly village churls,
And the red cloaks of market girls
Pass onward from Shalott.
Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd lad,
Or long-hair'd page in crimson clad
Goes by to tower'd Camelot;
And sometimes through the mirror blue
The knights come riding two and two.
She hath no loyal Knight and true,
The Lady of Shalott.
But in her web she still delights
To weave the mirror's magic sights,
For often through the silent nights
A funeral, with plumes and lights
And music, went to Camelot;
Or when the Moon was overhead,
Came two young lovers lately wed.
"I am half sick of shadows," said
The Lady of Shalott.
A bow-shot from her bower-eaves,
He rode between the barley sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.
The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armor rung
Beside remote Shalott.
All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, burning bright,
Moves over still Shalott.
His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flashed into the crystal mirror,
"Tirra lirra," by the river
Sang Sir Lancelot.
She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott.
In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining.
Heavily the low sky raining
Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And around about the prow she wrote
The Lady of Shalott.
And down the river's dim expanse
Like some bold seer in a trance,
Seeing all his own mischance --
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.
Lying, robed in snowy white
That loosely flew to left and right --
The leaves upon her falling light --
Thro' the noises of the night,
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.
Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darkened wholly,
Turn'd to tower'd Camelot.
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and Burgher, Lord and Dame,
And around the prow they read her name,
The Lady of Shalott.
Who is this? And what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they crossed themselves for fear,
All the Knights at Camelot;
But Lancelot mused a little space
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott."

lunes, 29 de noviembre de 2010

Funeral blues


Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He is Dead.
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now; put out every one,
Pack up the moon and dismantle the sun,
Pour away the ocean and sweep up the woods;
For nothing now can ever come to any good.

                                                     W.H. Auden


En memoria de todos los amores que no duraron tanto como esperábamos. Por aquellos a quienes hemos perdido, para los que no volverán.

Hoy nos despedimos también de dos grandes del cine. DEP.


martes, 26 de octubre de 2010

Clase de poesía inglesa (II)

«Beauty is truth, truth beauty,»- that is all 
Ye know on earth, and all ye need to know.

                                                             J.K. 

jueves, 30 de septiembre de 2010

Clase de poesía inglesa

The Tyger, un poema de William Blake

Y un video en el que el actor Alan Bates lo recita de una forma que solo podría haber sido mejorada por el mismo autor.